XTC enjoyed a resurgence in popularity building up to their biggest radio hits in the late 1980s, only to retreat back into niche-cult band status by the early 1990s and then nearly vanishing altogether. An interesting thing happened… they unleashed what Andy Partridge describes as their pent-up love of 1960s psychadelic rock and it altered them artistically, somewhat. It burst out all at once in 1985 for what seemed like a gag EP record, but then continued to flow intermittently across their catalog afterwards.
After the commercial (but certainly not artistic) flop of their 1984 disc The Big Express, they switched gears and put out an April Fool’s novelty record, pretending to be a long-lost 1960s psychedelic band called The Dukes of Stratosphear. Andy & Colin either wrote newly designed ’60s style psychedelia or retooled rejected songs to fit the bill and came up with a wonderfully fun 6 song EP released on April 1, 1985. Their actual names were nowhere to be found, and only the familiar sound of their voices and the tell-tale sign of their early producer John Leckie at the helm were the clues as to who they really were.
It’s a great record, where they knock off the styles of The Electric Prunes or Syd Barrett and others. Sound effects, backward tracks, random spoken recordings and whatnot dropped into the production evoke the sorts of pot and acid induced studio wizardry from 1967 that they’re going for. Bottom line is that the songs are catchy and fun. They sound like they’re having fun, too – what a mood/vibe 180 turnaround from the PTSD feel of Mummer or the bargaining/reckoning stage of The Big Express. Listening to “My Love Explodes” or the Lennon-esque “Mole From The Ministry” made me think that that maybe Andy Partridge actually enjoyed being a musician again.Continue reading “That Was Pop: Relistening to XTC, Part 4”