I got treated to the 2017 documentary XTC: This Is Pop via a free promo weekend of Showtime. It’s a solidly made doc following the history of the band from its earlier Helium Kidz incarnations to its 1977 album debut, personnel changes, rise, fall, re-rise, strike, sputtered comeback and eventual demise. It’s a great intro to the band if you’re not at all familiar with them or only know them via “Dear God” or wonder whatever happened to that offbeat sounding band with the odd sounding lead singer who sang “Senses Working Overtime.” Lots of music and old wonderfully cheap-styled circa 1980 rock video is presented, along with interviews with musicians, critics, and principal band members, notably Dave Gregory, Colin Moulding, and Andy Partridge.
The band’s history, song by song, is covered in Neville Farmer’s authorized 1998 band bio XTC Song Stories (a book evidently later trashed by Partridge, can’t say I’m surprised for reasons I’ll go into shortly). A lot of the same material is covered in the film visually, but the film adds one amazing scene that’s a true revelation for longtime fans of the band like me.
Andy Partridge has synethesia, where perceptions get mixed up – colors become tastes, sounds become pictures and so on – and this mixed up/associative way of seeing the world is how he writes songs. He strums a guitar and finds a strange sounding chord he claims he’s never heard before…. starts strumming it… says it makes him think of the color brown, but sad, like a brown puddle… and then comes up with lyrics about a sad brown puddle and it all comes together. And all at once the seemingly limitless styles of arrangements, sounds and tones of the vast catalogue of XTC’s music suddenly made perfect sense to me. This scene alone makes the movie worth seeing.
So I thought I’d go back and listen to it all again, bearing in mind Partridge’s synesthesia and seeing (well, hearing…. I don’t have synesthesia) if I could pick elements of it out of his songs. The Moulding songs? No problem, I’ll go along for the ride with ’em… I always liked his stuff too.Continue reading “That Was Pop: Relistening to XTC, Part 1”