Funny how we usually still think of animation as a cinematic art form delegated mostly to children’s entertainment. All of the animated features coming from Disney/Pixar or Dreamworks or Ghibli are aimed at kids primarily, with material for adults put in around it all to keep parents interested and build cult following appeal. And usually the best of those films are much, much more for adults in the end – the nostalgia for childhood running through all the Toy Story movies, for example, elevates those films beyond the light-hearted kiddie adventure of talking toys questing after some small thing. Up can’t really be appreciated until you actually develop enough of a sense of your own mortality to relate to the characters. Miyazaki’s films are so multilayered with folk tales, mythology and magic that their complexity outdoes that of mainstream grownup entertainment by a bunch.
The films I watched (one of ’em re-watched after many years) over the last few days fall into the same category – two of them seem to be for kids on the surface but once you start watching, you realize they’re not. And the other two are clearly made for a grownup audience, utilizing forms of animation to accentuate the themes of the story.
Ruben Brandt, Collector (2018) comes from Hungarian artist and (impressively) first-time film maker Milorad Krstic. It’s about a psychologist having nightmares of figures from great works of art trying to kill him – so he recruits some of his criminal patients to steal the actual works for him, figuring that the control of ownership will free him from his dreams. Beyond the interesting ideas on why people enjoy art, or need art, the film follows a lot of the conventions of the modern heist film, with action set pieces, car chases, a nicely woven complex plot with some nice surprises (especially a very ambiguous ending, although the doppelganger-from-my-dream-world theory seems to work here), and interesting characters. Each of the thieves has some sort of psychological problem that turns up in their manner of thievery. Brandt exploits this, but also provides them with artistic paths towards their control over their issues, just like the possession of the art will give him control over his own. The visual style adds a lot to it – the character design mixes elements of Cubism (especially Picasso) and Surrealism, with backgrounds and action mixing both 3D and 2D rendering for an effect of giving us an experience much like one of Ruben’s art dreams.
Check out the trailer!
Even if the trailer, I bet you caught little references to all sorts of stuff beyond the art works too… a little homage to Tarantino here, a little bit of Mission: Impossible there… and there are famous works of art everywhere in the background, either in museum scenes or on t-shirts, posters, ice cubes that look like Hitchcock, you name it… the whole thing feels amazingly original. I can’t really say I’ve seen anything quite like the totality of it, and I liked it a lot.Continue reading “Four Animated Films Off The Beaten Path Worth Your While (with lotsa clips!)”