Happy Friday. I’ll put up an art post later today.
I was already rooting for this guy to be one of the big slugging outfielders on my team, but now I might have to make him my new favorite Yankee.
Meet crazy cat man Clint Frazier! And a happy mother’s day to you all.
A rhino poacher was trampled by elephants and then eaten by lions at a South African animal preserve. His four accomplices were arrested. Hopefully they’ll be sentenced to the same fate and it’ll be on youtube.
Evidently lions love freshly ground hamburger.
Stuff like this’ll always make me smile.
Because I love kitties! And heffalumps too!
To cheer myself up: The local pet supply store I used to get stuff from has a big black store cat. So I went over there just to pet the cat, something I do every now and then when I’m jonesin’ for cat petting.
Well, I must have done it right today, since he decided to get up right in my face and HEAD BUTT ME while purring. Those of us well-versed in cat language understand that means he decided he LOVES ME!!!!
So that was definitely the high point of my day.
Then I trolled the Goodwill around the corner and scored a very nice dark blue 100% Camels Hair jacket in my size for only ten bucks. HELL YEAH!
And then I restocked on wines from Trader Joe’s, and despite the fact that they insist on rearranging that damn store every time I walk in, I managed to find what I wanted.
Now I think I’ll make myself a drink, start preparing dinner, and watch the rest of my bracket go to hell.
Chardin was a wonderful French late-Baroque painter of still lifes and domestic scenes. He painted realistic tranquil settings and enjoyed success during his life, including selling some works to King Louis XV. As he got older though, his sight faded,he had to switch to pastels to see what he was doing and his art style fell out of fad with the snooty French academy. His work fell into obscurity before being rediscovered in the middle of the 19th century when French (and other) artists of that era returned to the same sorts of realistic styles, themes, and subject matter and got away from either the puffy flying seraphim of the Roccoco era or the stiff-armed noble society-savers and blemish-less figures of David and Ingres et al.
By the mid 19th century, more scenes of the real life of average people appeared, whether it was Millet or Daumier or others, and the still lifes and landscapes gave us back some rustic qualities. And artists returned to painting the things that REALLY MATTER: CATS.
Well, maybe not… cats have always been wonderful subjects for artists since they’re so wonderfully exotic, curvy and in the case of this work by Chardin, capable of wonderfully emotive facial expressions. That cat doesn’t want to just get a few bites out of that fish, that cat is telling you he OWNS that fish and will DOMINATE IT by eating it right out from under you.
And that goes double for those two hanging suckers as well, bubba.
Now go scoop my litterbox. I don’t care if you are Louis XV, never forget who really is the king around here, you powdered wigged fop sack of merde.Continue reading “Friday Art: Still Life With Cat & Fish by Jean Baptiste Simeon Chardin (1728)”
Abraham Teniers was a 17th century Flemish painter from a family of more famous painters, notably David Teniers the elder (dad) and David Teniers the younger (brother). David the elder (as well as some other family members) painted lots of cabinet miniatures, but David the younger got more successful, married into the family of Pieter Breugel’s descendants and became court painter to Archduke Leopold William. He painted some wonderful landscapes, scenes of peasant life, and some religious paintings.
But deep in his soul, a voice cried…. “MORE MONKEYS!!!!!” Young David also painted monkeys in various situations. Monkeys were a popular depiction of human foibles during this period, so you’d see them in uniforms gambling or running amok, that sort of thing. But don’t tell me Abraham was a lesser artist when HE paints monkeys carefully tending to grooming kitty customers in a Baroque era barbershop this side of the BEST. ACID.TRIP. EVER!!!!!
This one is only 9×12 inches or so in actuality, making it probably smaller than your computer screen. He might like silly subject matter, but his ability to cram small details into the space is up there with other Northern European artists.
Love that cat in the center, admiring himself and his new look in the hand mirror. Bet he leaves a nice tip. And check out Puss ‘n’ Boots coming through the door in the back. Famous, yes, but did he book an appointment? The place is packed. Every cat needs a haircut to look good at Rembrandt’s cat’s bar mitzvah that weekend.
Okay, maybe that’s from MY acid trip.
There’s always a cool one & a wacky one, after all.
You’d think a movie about a house full of cats who’d kill to protect their crazy sick old lady owner from a murder-inheritance scam would be a great movie, but alas… this one fell way short.
I was surprised I’d never heard of this one before last week, and it went right to the top of my considerably long to-watch list. (I know how most men brag about the length of their to-watch list, but mine really is huge.)
Eleanor Parker was only in her late 40s when this got made, yet she plays the crazy old dying-of-emphasema aunt living in a big ol’ San Francisco mansion filled with hundreds of cats. (I guess that’s where you end up after being so thoughtlessly used by Stephen Boyd in The Oscar). Michael Sarrazin plays the free wheelin’ free lovin’ wayward nephew recruited by Parker’s hairstylist (Gayle Hunnicut, pictured above) to return home, get the will changed in his favor away from the cats, and then to knock off the Aunt for the money, to be split with said hairstylist.
But he has a DEATHLY AND PARALYZING FEAR OF CATS dating back to childhood, so this will…
Oh Gawd…. this movie took what was a decent basic concept and blew its potential in so many ways, I don’t know where to begin.Continue reading “When An Army Of Cats Doesn’t Kill Enough: “Eye of The Cat” (1969)”