jump to navigation

Another Scintillating Online Interview From Yours Truly June 16, 2013

Posted by Jim Berkin in Books, Writing.
add a comment


A while back, I did an interview with the Dan O’Brien Project which can be found here.

Mostly I talk about the Wagstaff novel, a little about some upcoming book releases, and some other stuff.

I’ll be getting on those other book projects now that I’m FINALLY settled into the spankin’ NEW chateau du Wagstaff and have gotten (somewhat) organized.

The kitchen is set up. The cat has explored and found some favorite spots instead of hiding most of the day (this was extremely important), and I’ve begun to organize the tons of books I originally shelved by size only. Art, science, graphic novels, cooking, music, movies, bible and all things JEW have been all sectioned very nicely! History, economics, politics, miscellany and all fiction still need a lot of sorting. But I’ll get there.

Today I fixed a leaking sprinkler head on my front lawn all my widdle self. I must be a real suburbanite now. Either that or I’ll be the reason Home Depot & Lowe’s stocks soar, considering how much crap I’ve been having to get from them lately.

I’m glad I made the move, however… as much as a chore as it was to pack up what seemed like an overwhelming amount of crap I’ve accumulated over the 18 years I spent at my last abode, I’ve got more space now, more privacy, and more peace & quiet, especially after chasing those kids off my lawn with my sawed off shot gun,

Well, not ALL the kids. Did I mention that all the girls in this area all look like budding porn stars? I must be in heaven!

But that’s a blog for another time.

Anyway, enjoy the interview! Here’s the link again!


(Truly) Random Baseball Card Of The Day: 1989 Fleer Rick Sutcliffe October 13, 2012

Posted by Jim Berkin in 1980s, Baseball, Baseball Cards, Books.
1 comment so far

The true randomness comes from where this card turned up – face up, next to my car as I got out in a Trader Joe’s parking lot.

For a moment, I wondered how it got there. Did someone drop it out of their car after visiting some yardsales? Did the wind, or magical cardboard messenger birds or some other mysterious force of nature carry it to that spot after lifting it out of someone’s collection put to the trash curb by mom?

It’s funny how I find interesting things in grocery store parking lots. Some years back, I headed back to my car and discovered a brand new pair of Ray-Bans sitting next to it.

On another occasion, I found a near-mint copy of the paperback photonovel of “The City On The Edge of Forever” from Star Trek after nearly running it over when I pulled into the space.

And yet another time, I found a brand new Ferrari that someone left behind. I hung around for a little while to see if they’d return to get it, but then I gave up, hotwired it, and drove it home. Finders keepers!

Today, the magical forces of fate brought me to Rick Sutcliffe. I guess if I really did believe in synchronicities like my alter-ego in Cut To Wagstaff, I’d have found some sort of significant thing about Sutcliffe in 1989 that would have determined my actions for the rest of the day & I would have found myself on some sort of off-the-wall mysterious adventure. But my life really doesn’t work that way. I put the cheap wine & TJ’s knock-off cereals into my car, drove home, played with the cat, and watched the Yankees tragedy unfold.

Sutcliffe certainly had an up and down career. There’s really no other way to describe a guy who wins the comeback player of the year award TWICE, once in each league, after winning Rookie of the Year and a Cy Young. Sutcliffe has been a mainstay at ESPN for the past several years, as well as MLB network.

I’m still not sure why a 23 year old card, beat up pretty badly, should be waiting for me while I ran some weekend errands. I had even made a small detour to a yardsale earlier – and it was being run by a couple of toy collectors cleaning out their stash. They had some old board games and tons of Barbies and Hot Wheels, all e-bay priced which made it nearly a total waste of time – I was saved by finding this compendium cookbook of chicken recipes for only a dollar.

But no baseball cards. I guess you have to troll Trader Joe’s parking lot for that, although the other day I coughed up serious thrift store bucks (meaning more than singles) to get the 40th Anniversary Topps Baseball Card picture book.  Granted, having the actual cards is always better, but the book has been fun to browse through, and I can even see all the ones that got away.

Excerpt From Cut To Wagstaff On Frontrowlit August 24, 2012

Posted by Jim Berkin in Books, Writing.
add a comment

Frontrowlit, the book blog for FrontRow Monthly magazine, has an excerpt from my novel Cut To Wagstaff posted.

If you want a peek at a lot of Chapter 2, go check it out on Frontrowlit here!

Most of Chapter 1 is available as sneak preview on the Amazon page, by the way.

My Guest Blog, Over At Omnimystery News! August 14, 2012

Posted by Jim Berkin in Blogroll, Books, Writing.
Tags: ,
1 comment so far

I wrote a little entry on some recent encounters with the kind of pop culture synchronicities that inspired the plot engine of Cut To Wagstaff for a blog devoted to all things mystery.
Click on this link to check it out!

Cut To Wagstaff Review & Jim Berkin Interview on The Indie Bookshelf August 10, 2012

Posted by Jim Berkin in Blogroll, Books, Writing.
add a comment

The review & interview are here!

It looks like my interview answers went up unedited too… yay!

Cut To Wagstaff Gets Thumbs Up From Kirkus Reviews! July 30, 2012

Posted by Jim Berkin in Books, Writing.
Tags: ,
add a comment

Ah, critical approval! We all want the professional critics to love us (Well, except for all those times Pauline Kael rang my phone at 3AM expecting booty call. I tried to tell her… “I WORK for a living, baby! I gotta get up in the morning!” But she just didn’t listen…)

Noted book review outfit Kirkus Reviews gave my novel a pretty positive write up – you can read it all here.

It’ll be interesting to see what this is actually worth once it hits my Amazon page in a few days.

I thought the last couple of lines from the review were good enough to put on my back cover:

Berkin pulls out all the stops; no big screen moment is lost in this tale. A quirky conglomeration of popular culture that’s worth the price of admission.

I can live with that. I also like when they refer to the main character as “possibly insane” since I based him on me.  At least they “got it.” The big fear of any comedian is that the jokes simply fly over the heads of the audience. That might be fun when I’m insulting someone in real life (especially if they’re bigger than me) but when my aim is to entertain and keep people turnin’ those pages, those jokes better be burning solid fuel.

So what are you still doing here? Go buy the book!

If You’re Here, Please Go Like Me On Facebook July 27, 2012

Posted by Jim Berkin in Books, Writing.
add a comment

I started a Facebook page for my writing & books. Most of my blog posts here will be publicized on it, so if you’re on Facebook & you like the page, you’ll get updates in your good ol’ newsfeed whenever I add something here.

Click here to go to my Facebook author page

I’ll be putting other stuff on the Facebook page as well, and getting more likes provides me with the illusion of no longer being a leper. So help out! You’ll be glad you did. Thanky!

Check Me Out On Goodreads.com & Read My Boatload Of Book Reviews There! July 24, 2012

Posted by Jim Berkin in Books, Writing.
1 comment so far

Now that I’m out flogging my novel Cut To Wagstaff (I’m kinky that way), I’ve set up an author’s page on Goodreads which you can link to here:


If you’re not already a member of Goodreads, sign up! It’s sort of a Facebook for books where you can read reviews & get recommendations based on the books you’ve rated. I added a ton of reviews of a bunch of books and tested the recommendations algorithm, and it gave me some nice results.

And think of all the work I’m saving the boys in the black helicopters who are building that dossier on me – now they know all the books I’ve read! I love being helpful.

Also, once you’re on Goodreads, add a review of Cut To Wagstaff! Eventually I’ll set up some Q&A forums and other stuff on there… I’m still learning its potential. I keep looking for “World Domination” in the menus but can’t find it. I’ll check the FAQ.

Rififi (1954) & A List Of Heist Movies July 18, 2012

Posted by Jim Berkin in Books, Movies.
Tags: ,
add a comment

A good heist movie is a wonderful subgenre of crime or gangster film, especially for those of us who love to see the intricate steps of some complicated supertheft come together. After all, one of the big appeals of the crime/mystery genre in general is to watch seemingly disconnected plot threads weave together into something that makes perfect sense, especially if we didn’t see it coming. I certainly tried to put this sort of set-up together for my novel Cut To Wagstaff since I’d like to think I can play ball in the same league as the movies I’m about to go into.

The other night I watched Rififi, a great ’50s French heist film that reminded me of a lot of other films that came later & one that came before. It follows the basic formula of these things – some experienced criminal puts together a team of experts to pull off the big burglary score – and inevitably the personality conflicts of the team involved or unlucky twists of fate undo the carefully laid plans.  What makes Rififi so nice is how the mechanics of the theft become the centerpiece of the film. The entire crime, step by step, comes off with nearly no dialogue at all, as the men break through a floor into the jewelry store and crack the safe.  In the first part of the film, we mostly get character development of all the burglars as well as their criminal rivals, information that will become important to the way the plot unfolds later – and this particular exposition leads to a wonderful payoff when the 4 men look at the millions in jewels they’ve lifted and discuss what they’ll do with their share – all their answers deeply reflect who they are.  Director Jules Dassin (who also plays the Italian safecracker under a pseudonym) would also make another great heist film, Topkapi, later in his career.

Dassin had been blacklisted in Hollywood after being named as a Commie by Hollywood 10 member Edward Dmytryk (a good director as well, alas) and worked in Europe in the 1950s as a result. Even after the Blacklist era, Dassin had pretty much relocated to Greece with his new wife Melina Mercouri (star of Topkapi). I guess the overall “criminal on the run” feel was something he understood well.

Rififi owes a lot to an earlier heist film with a similar set up – John Huston’s The Asphalt Jungle sort of invents the genre – the team of specialists brought together to pull off the perfect jewel heist – and also sets the stage for the various ways in which the formula’s denouments will vary in later films. Will they make one fatal mistake and get caught? Will they turn on each other? Will some random twist of fate ruin all the carefully made plans? Will they get away with it? All of these variations would turn up in subsequent films.

So here are a bunch of others worth seeing:

The Killing – Kubrick’s take on the genre, with Sterling Hayden as the leader of a group out to rob a racetrack. One of Kubrick’s best, IMO, with the tell-tale Kubrick formula of the mechanical system overwhelming individual humanity (as well as tracking shots up the wazoo).

The Dirty Dozen – this one combines the heist formula with the WW2 film, expanding the team and the specialists.  And this time we get killing lots of Nazis besides the operation for entertainment value, as well as Lee Marvin beating the crap out of people. Another combo along the same genre lines would be Kelly’s Heroes, where Clint Eastwood leads an effort to rob a German bank in the middle of the war, although that one is more uneven and Donald Sutherland’s 1940s hippie schtick gets old real fast.

The Great Train Robbery (1979)- Sean Connery scheming to steal a ton of money in Victorian England has some awfully dated dialogue, but Michael Crichton’s mechanics here are great fun.

Lock, Stock & 2 Smoking Barrels – Guy Ritchie’s cinematic tricks abound, but this time they serve the story and atmosphere. Fast paced, funny & clever.

Quick Change – Bill Murray leads a group of bank robbers in this extremely dry and often hilarious comedy, mostly about how horrible 1990s NYC is. This is one of Murray’s best movies, and it always amazes me that so many people have never seen it.

A Fish Called Wanda – while I’m thinking of heist comedies, you gotta include this one. John Cleese, Michael Palin, Jamie Lee Curtis & Kevin Kline are all wonderful in it.

Sexy Beast – Ben Kingsley is especially great here in a tale of criminals dragged out of retirement.

And then there are films that vary the formula – there’s the failed robbery in Dog Day Afternoon, or the entire robbery being a team-of-specialists con job in The Sting, or the focus away from the actual crime and on the characters themselves that we find in Reservoir Dogs or The Usual Suspects.

Odd Man Out from Carol Reed in 1947 is more about loyalty & guilt, with James Mason’s IRA robbery going wrong and leaving him wounded and lost. This one reminded me a lot more of John Ford’s excellent The Informer more than a heist film, but I’ll list it here anyway since it’s worth seeing.

Near misses? Well,  recently there was Inception, which followed the formula but focused on stealing people’s ideas via scifi dreamjacking. While I liked a lot of it, my problem was how literal the dreams were presented. I think David Lynch, in material like Eraserhead or Mulholland Drive, handles the role switching and odd symbolism of actual dream psychology much better, and I think that approach to dreams would have made Inception far better than it was.

The Day They Robbed The Bank of England has its moments and a young Peter O’Toole, but reaches an anticlimax.

Ah well… my brain is well beyond fried after pounding out that list.

But if you’re interested in the reality behind the carefully planned burglary, or in the ways in which the police investigate the aftermath, I can recommend a couple of books, respectively – Confessions of A Master Jewel Thief by Bill Mason and The Rescue Artist by Edward Dolnick. Both are fascinating reads.

Celebrity Dreams July 8, 2012

Posted by Jim Berkin in 1960s, Books, General, Movies, Television, Writing.
Tags: , , , ,
add a comment

I remember my dreams, most of them anyway.

I dream in color, often have dreams set in the identical parallel setting which I can only describe as an amalgamation of the Providence/New England area and Los Angeles, although from what I can tell, the layout and freeway route system seem to be identical from dream to dream (!).

In my dreams, the actions of the dream world around me are separate from the stream of thoughts running through my mind in reaction to it, just like in waking life.

And then, every so often, I have dreams featuring various celebrities.

Sometimes they turn up for obvious reasons – I’d just watched a movie with them, or read about them, or some such tidbit of conscious processing during the day that churned into dream material that night. Other times, I’m not sure where the hell it comes from. Shellfish seems to have a psychoactive effect on me sometimes, but not all the time.  Taking Zantac for my stomach certainly increased my dreaming intensity, often producing lucid dreams I could direct for a while before waking up. My doc at the time looked it up in the Merck manual and, yes, around 5% of the test subjects reported the same thing.

I could have told him my brain is directly connected to my stomach.

Here’s  a typical example from the other night, after some grilled salmon: I was in a second-season episode of “The Monkees” – and how did I know it was second season? Well, even in my dream when the end credits played showing the boy’s heads, the theme song was “For Pete’s Sake” and not the first season “Theme From The Monkees.”

Yep… even in my dreams, I’m a trivia geek.

Anyway, in the episode, I was pretending to be a gangster along withe the boys, and we all wore matching black pinstripe suits for the part. The episode ended and the credits played on a wall of the set, and I wandered off the set backstage. As I wandered down the hallway, I saw Jill St. John wearing some sort of bright red showgirl outfit, and then I got to an area of another set’s backstage area.

At a small round table the size of a lunch table sat Sean Connery in his underwear, reading from a script and rehearsing with some anonymous actress (I can’t remember what she looked like, and I did not identify her in the dream).

So, I say to Sean: “Look at us. You ought to be wearing this suit, and I ought to be dressed like you.”

Sean to me: “Eeh. That suit doesn’t really mean anything.”

Me to Sean: “Really? I think I look really good in it. You’re jaded ’cause you wear stuff like this all the time.”

Sean to me: “Maybe. But what I really want is to play more sensitive guy type comic roles, you know, the kind they always give Alan Alda.”

Me to Sean: “I can’t see you like that. No one would ever believe you’d cry over a dead chicken on a bus.”

He went back to his script, and I woke up. And I thought… I’m right. No one would ever believe Sean Connery would cry over a dead chicken on a bus like Alan Alda.

I’m guessing the “Monkees” bit resulted from a recent screening of Head, which I hadn’t seen in a while & would highly recommend. It’s a mobius strip of silliness, some good Monkees tunes including a great live performance of Nesmith’s “Circle Sky” (yup, it’s really them playing) that proves they were a decent garage band when they wanted to be. It’s also one of the earliest examples of the “New Hollywood” – a film designed to appeal to the youth market with the likes of Bob Rafelson & Jack Nicholson behind it, as well as, IMHO, the only stream-of-consciousness ’60s drug era movie that actually works.

Oh – and it’s also largely a backstage deconstruction of the band – hence, my backstage experience in the dream, I’d guess.

I keep a record of the more entertaining or silly celebrity dreams I have, writing them down as immediate to the experience as I can since the memories of those dreams tends to fade with time. I mined a lot of that material for the Wagstaff Novel since the interpretation of the dreams could figure well into an offbeat comic mystery story, and I think it worked out well for the plot.

I’d recommend keeping a dream journal of sorts for any writer or artist. After all, if you have a creative mind, it ought to really get creative when your unconscious runs free, shouldn’t it?

It certainly beats the dreams I have where I’m working – dreams so detailed that after dreaming of teaching some film class & leading a discussion on something, I wake up and get depressed that I have to do the exact same thing over again and then realize, once again, that I can literally do my job in my sleep.

Tonight, it’s spaghetti with Italian sausage & I’ll finish off that bottle of Sangiovese… I’ve got a few movies in the DVR… what dreams may come? I guess I’ll find out before my cat jumps on me repeatedly @5:30am to get fed.